Review of Matamoros #1
A little over a week ago someone sent an email to John asking for a review of a new comic. John asked me, ry, to be included on the review process. So this is my take on the new title Matamoros. So, please don’t mistake this for The Armorer’s opinions.
The most positive thing I can say about this new comic title is that has potential. That Matamoros has room to grow and tell compelling stories even if it does not exactly do that in this first offering.
I just don’t have the cash in the budget to venture on a comic I’m not 100% on, and so I wouldn’t recommend it to anyone else who is not willing to risk $3/month on an iffy title. I definitely wouldn’t recommend it for children under the age of 15 as it is way too adult. Yet, if you’ve got the time and inkling to take a risk I’d say sign up for it. I imagine that people who like 24 and The Shield will be much more open to this book than I. It, like Battle Star Galactica on the Sci-Fi channel, has the ability to become a very engrossing piece if you’re willing to give it the time to develop. I'm rather unwilling.
On a Gollum’s scale of 1-5 yessss my precioussses I give Matamoros a 3 yessss my precioussses. It has potential. It isn’t my cup of tea, but it has taken a novel stance for comics on serious issues. The hero has the capability of being a very deep and rich character one could identify with and like instead of being a clone of the early Punisher before he got his own book (a simple, uninteresting kill-bot) crossed with Wolverine from X-men. If the author’s do that, make Sobietti an engrossing protagonist, Matamoros could enjoy success like other alt niche comics have (Hellboy and Tankgirl becoming so well liked that they became fodder for movies even though 90% of the comic reading pubic had ever heard of them being some examples.) and be a very worthwhile title.
(More below the fold)
--ry
The greatest strength of this title is also its weakness: the in your face nature of the politics. It gets in the way of telling the story, any story actually. It really felt like I was watching some crap Tarantino film where there’s a series of scenes just cobbled together with only the merest attempts at plot to hold them all together. It was very Reservoir Dogs, and that is not a good thing.
The reason big titles like X-men and Batman can handle inclusion of political themes are that there’s a very interesting story in which these ideas and themes are implanted in them. Frank Miller’s The Dark Knight Returns is a great example of this. The social commentary is hard to miss and is very blatant at times (the TV debate show panels), but said commentary never got in the way of telling a tale of daring do. Matamoros seemingly ignored this maxim (tell a fun and interesting story) to run at breakneck speed to the protagonist shooting some home grown terrorists while taking political stances along the way. Another example is the comic book inspired TV show Heroes or the anime series Neon Genesis: Evangelion where political themes and points of philosophy, even annoying ones like the Existentialist laden ending of Evangelion, are integral to the story but not swung like a baseball bat.
Some of the stances were done a bit sotto voce, such as the stem cell research topic, so it is not like the authors do not know how to be restrained. The books on the COL’s table, while obvious, are not screaming in your face like some of the other stances are (the phone call, the title of the book, the newspaper headline). It just seems rather mishmash on the subject of making political statements. The baseball bat to the noggin of political stances does not make for fun reading. It becomes a chore, like trying to read the annoying sophistry of Frank Herbert in the later Dune novels as opposed to the more interesting and challenging reads that are Phillip K. Dick’s novels.
To be fair, it could be that this was done because it is a first issue and because it is an independent release. Being an independent release puts a real limit on much story you can tell because more story means more pages, and more pages costs more money to print. Being a first release you want to make a big splash to grab attention so people will come back to see what you do next month.
But that does not excuse bad story pacing and a thin major story arc.
The material here would best have been broken up into two, maybe three, issues. The injury/recovery and re-integration into civilian life for our protagonist, SGT Sobietti, elements could easily have taken up a single issue with the cliff-hanger of overhearing possible terrorists at a diner ending. The surveillance of, tracking of, and dispatching of terrorist elements could have been extended to fill most of a second issue with another foreshadow, not cliff-hanger, coming at the end of issue two (does Sobietti have to worry about NYPD looking for him or that the terrs now know they’re being hunted so they go looking for him?). Again, this could be done for the reasons of money or for getting initial interest. The title has potential to tell compelling stories about Sobietti and his run-ins with terrorists in NY, but issue one does not tell a compelling story. It tells a short snuff fantasy that someone like Deadpool or the Punisher would be more comfortable with than Captain America---whom the authors imply multiple times is their inspiration for SGT Sobietti. Well, at least the old incarnation of Captain America that is. The new pistol packing Cap might be more in tune with Sobietti, but not having time for that title either I cannot say for sure.
Overall, I didn’t enjoy Matamoros. Mostly that’s because I’m not amenable to many of the political stances the book takes. For example, I don’t think land mines or the infamous claymore mine are a coward’s weapon. I think they’re things that are legal, or should be, that were often abused; and the Princess Di initiative to ban them was rather a misguided if not down right stupid thing. Having said that, I think the use of IED in Iraq, whether they fall in the EFP or bailing wire and spit categories, are an evil thing based on how they’ve been used---to indiscriminately kill in large numbers. It is things like that which make this a title I won’t pick up again. Our POV is just so different, and the things the authors feel compelled to say are not things I particularly want to take the time to hear. I’ve dealt with said questions and issues in other arenas, and have no desire to go thru it again. For those that haven’t done the mental pushups on these issues this is a perfect title to cut your teeth on.
As I opened with though, this book has room to grow. Matamoros has some interesting ideas and a take on the issues different than standard comic fare. If you’re open to some of the ideas, even if open to them only from opposition, this is a book to watch and see if it expands from the snuff fantasy into the much larger and fuller title it could be. It is not for Gollum, but it has the potential to become a good book if the issues of pacing and story telling instead of simply stringing scenes together are dealt with.
-ry
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